494 pistes audio libres de droits pour "File D&"

4-22A (sus2 chord) tetrachord on C: [0,2,4,7] = C,D,E,G

Piano accompaniment from Franz Schubert's lied "Der Wanderer" D.493, second couplet (Die Sonne dünkt ... Ich bin ein Fremdling überall) Accompagnement au piano du deuxième couplet du lied Der Wanderer D.493 de Franz Schubert (Die Sonne dünkt ... Ich bin ein Fremdling überall)

Musical scale called "Ishartum" by Lou Harrison, often called the "Flamenco mode", in Pythagorean tuning on E, as follows: (by fifths) F-, C-, G-, D-, A, E, B (F♯+, C♯+, G♯+, and D♯+), or (in order) E (1/1), F- (256/243), G- (32/27), A (4/3), B (3/2), C- (128/81), D (16/9), E (2/1), with G♯+ being 81/64 and D#+ being 729/512. The final F- has an augmented sixth chord, B7b5/F (B D# F A), which resolves to a major chord that touches on the minor third.

Schubert Sonata in B scherzo bars 21-24

Just perfect fifth below A = D-. 3:2 = 701.96 cents. As MIDI.

D, F, Ab = C, Eb-, Gb-

Beethoven - Piano Sonata no. 15 in D major op. 28 "Pastoral" - IV. Rondo. Allegro ma non troppo by Karine Gilanyan

Joshua Bell, Awadagin Pratt, and Alisa Weilerstein Perform Felix Mendelssohn's Piano Trio No. 1 in D minor, Op. 49 – 4. Finale: Allegro assai appassionato, at the White House Evening of Classical Music on November 4, 2009.

Italiano: Vincenzo D'Annibale (musica), Libero Bovio (parole): «O Paese d' 'o sole». Versione solo strumentale ottenuta al sintetizzatore dotato di banco audio Musyng Kite da 0,99 Gigabyte di Cose Vidal (2014).

Supertonic diminished seventh chord in C (D♯=E♭).

The Lick in different swing levels (straight, 60%, 70%, then 80%) on piano. Made in Musescore with the default piano sound with a tempo of 120BPM. In D minor

A section of Ludwig van Beethoven's Symphony No. 9 in D minor, Op. 125 "Choral"

Half-diminished seventh chord on supertonic in C minor.

Scarlatti Sonasta K319, bars 62-80

*Major tone on C = D. 9:8 = 203.91 cents. Limit: 3-limit. MIDI pitch bend: 32,65

Schubert; Moments musicaux, no. 4 In C Sharp Minor

First Electrical recording master to be released

Grave whole tone on C (D--), 800/729, 160.90 cents.

*121st subharmonic on C = D↓↓. Just: 128:121 = 97.36 cents. Limit: 11-limit. MIDI pitch bend: 20,95 on a PU

Sonate numéro 84 en ré majeur du padre Antonio Soler pour orgue Sonata #84 D Major for organ

*Major ninth on C = D'. Equal-tempered: 214/12:1 = 1400 cents. MIDI pitch bend: none

Dominant thirteenth chord (V13) in F major (C E G B♭ D).

*Superminor third on C = D♯-. 17:14 = 336.13 cents. Limit: 17-limit.

9 steps in just A12 on middle C: 23/10 = D = 1441.96 cents.

Half-diminished seventh chord on sharpened supertonic in C.

Franz Schubert, Deutsche Messe, "Wohin soll ich mich wenden" (D-Dur), Gotteslob (2013) Nr. 145

*Six-hundred-fifth harmonic on C = D↑-. Just: 605/512 = 288.95 cents. Limit: 11-limit. MIDI pitch bend: 59,60

*255th subharmonic on C = D-. Just: 256:255 = 6.78 cents. Limit: 17-limit. MIDI pitch bend: 21,66

*Hundred-forty-first harmonic on C = D. Just: 141/128 = 167.46 cents. Limit: 47-limit. MIDI pitch bend: 75,53

Waltz in D-flat major, Op. 64, No. 1, popularly known as the Minute Waltz. Sigrid Schneevoigt performed this in 1931. PDM marked by the Europeana.

Semi-augmented whole tone on C (D#-), 125/108, 253.08 cents.

Schubert, Ave Maria, adapted to Latin words complete

Schubert Fantasia in F minor bars 98-106

Just a little sound-file for a horror-game or something. =d. It was created with: audacity 2. 0. 6recording or made by software: made in audacitylocation of recording: --date and time of recording: --.

*Semitone Maximus on C = D♭. 27:25 = 133.24 cents. Limit: 5-limit.

Ninth (D), in red, of a C added ninth chord. Created by Hyacinth (talk) 16:46, 4 July 2010 using Sibelius 5.

*Six-hundred-fifteenth harmonic on C = D♯. Just: 615/512 = 317.33 cents. Limit: 41-limit. MIDI pitch bend: 69,69

Various recordings of a real noise of a small radio. Fm-noise is at the beginning of the file and am starts at 1:08 till the end. Recorded with zoom h4n pro.

Schubert Quartett-Satz in C minor, opening bars

Augmented dominant seventh raised ninth on C. C E G♯ B♭ D♯.

*Two-hundred-eighty-seventh harmonic on C = D. Just: 287/256 = 197.89 cents. Limit: 41-limit. MIDI pitch bend: 41,63

*Six-hundred-twenty-ninth harmonic on C = D. Just: 629/512 = 356.30 cents. Limit: 37-limit. MIDI pitch bend: 2,50

*Five-hundred-eighty-ninth harmonic on C = D. Just: 589/512 = 242.55 cents. Limit: 31-limit. MIDI pitch bend: 78,77

*Two-hundred-eighty-fifth harmonic on C = D. Just: 285/256 = 185.78 cents. Limit: 19-limit. MIDI pitch bend: 57,59

*Two-hundred-ninety-seventh harmonic on C = D↑. Just: 297/256 = 257.18 cents. Limit: 11-limit. MIDI pitch bend: 38,50

*Six-hundred-twenty-fifth harmonic on C = D. Just: 625/512 = 345.25 cents. Limit: 5-limit. MIDI pitch bend: 61,78

Also available in soundfont, bitwig sampler & ableton sampler form here: https://drive. Google. Com/file/d/1jidurgkwfbhudfnuygpgunf4mcunvh4-/view?usp=sharing.

*Two-hundred-thirty-first subharmonic on C = D↓-. Just: 256/231 = 177.90 cents. Limit: 11-limit. MIDI pitch bend: 118,56

*Five-hundred-eighty-fifth harmonic on C = D. Just: 585/512 = 230.75 cents. Limit: 13-limit. MIDI pitch bend: 107,73

Altered major chord on B with diminished seventh (B, D♯, F♯, A♭), equivalent to a minor-minor seventh chord on G♯ (G♯, B, D♯, F♯) Alterierter Akkord mit verminderter Sept Esperanto: Ekzemplo por malsupren aliigita septo